this new piece of hypnotic room wax doesnt claim detroits situated in the land of the rising sun, but it most definitely comes close! paranoia106, takashi watanabe, yuuki hori and seri can surely be labeled as the rising stars of the japan techno scene, and the bills presented right with this ep

the new album by aloe blacc as 12 inch vinyl lp plus download code.

technorama records is very happy to bring you this superb new release by jonas kopp. after his brilliant remix of *intolerance* on first technoramas release, this prolific producer is back with two devastating techno tracks called *drasma*. you can find here also a phat jackin techno remix by brighton superstar myles sergé. 300 copies limited release!

there is music that is made from the outside looking in. the textures are vibrant and the beats bang, but there is a hollow radiance at the core. it is pantomime. then there is los angeles alfred darlington aka daedelus, who has released a dozen albums in a dozen years straddling countless sub-genres. they are united by his insistence on letting his emotions guide the blueprint. if you have listened to his music, you understand. there is a balance between the direct and the obtuse that cant be articulated in words. this is part of the subtext for drown out, daedelus most elegiac album. his debut for anticon is a heart-on-sleeve meditation devoted to loss, coded language, and the maddening failures of communication. and yet you can still bob your head to it.
the vinyl lp comes with code for download of the full album.

the 4 tunes presented on this 12 inch are the more emotive pieces to the murph tone jack session tunes. one acid and three deep tracks that can be used as dj tools or enjoyed as full compositions.

there is beauty to be found in the barren streets of detroit. but they also hold an unexpected danger. solitude can sometimes make you feel like youre on another planet alien soundscapes and stark sound shape lonely beats on these lonely streets.

last year m.a.n.d.y. brought over their new release, twisted sister, 2 tracks - whereas the title track already received the full remix treatment via dj hell, uffe and more. this time we take the second track superstitious and give it a whirl. djedjotronic, chaim, and just be take their turn, and the results are amazing! be sure to pick this one up as soon as you can and keep a lookout for the very special edition vinyl coming soon to get physical music!

die uk-presse feiert sie bereits! heisser pop meets r&b meets indie-ding: rihanna meets the knife meets m83.

mauro bassos original is cloat in the minimal techno style you can rest assured to be lead by into the deep love god gave you to experience. his fine keys always make you tremble like the first time you felt the butterflies in your stomach: dancefloor filler.marco fenders remix comes with a bass

detroit master of technosoul eddie fowlkes shows us that he can still surprise us with his original beats. influenced by soul music, in love with dance music, this powerful track is a perfect combination of his inspirations. and it really makes you want to dance and feel the music go into your ears until *something e special* gets stuck in your head for good. bringing you catchy lyrics, vibrant beats and a great kick. who else than the legendary eddie fowlkes can declare war on dance music? well, not me. the only thing to do is to follow the hypnotizing beats and sounds of this track and let our bodies go crazy. and when the backbeats hit us, it transports us to a new level where we definitely join mr fowlkes on his trip to become his allies.

alex agore can be described as one of the bastions of the true house music, gaining notoriety for his no nonsense house productions. his unique deep sound has a resounding feel of classic 1990s with a refreshing melodic vibe.

qbeck first made a splash on the international tech-house scene when seth troxler and crew released his track alice on a visionquest label compilation last year. now alessio mereu is pleased to scoop up the ukrainian producer for a full ep on amam, titled railway mood. eureka has an irresistible galloping groove, with an off-kilter tick-tock giving a countdown to eternity. soon, after the slightly unnerving melodic plucking sounds, you can hear breathy gasps punctuating the atmosphere as if a human being is trapped inside the track. and maybe youll get sucked in too!

axe gabba murda mob is on a roll! they are back once again in 2013 with the fourth release on their home-based label axe gabba records. this release features beatz from the beyo, repeat perscription (hellfish remix) and the other side features trashcan online and trashcan tutorial. get ready to be annihilated! once again agmm brings you the ruffest hardcore, the darkest breaks and the highest sound quality possible. this will definitely make the speakers go overload. order as many copies as you can, limited press!

end of level boss records is a joint project from tusk and cyclonix celebrating the world of video game technostalgia through electronic music. end of level boss 1 ganondorf. ganondorf is the humanoid form of ganon, the ultimate embodiment of evil and hatred, the nemesis of link, and the final boss in many of the legend of zelda games. ganondorf is a formidable sorcerer and a shapeshifter. his hatred is so intense that he can survive even the total obliteration of his body and remain conscious. an ultimate bad ass.

in a flurry of melodic energy like only he can whip up, apple pips mainstay arkist returns with two assured cuts that perfectly build on the strengths he has always displayed for killer production and mean hooks.

the long awaited follow up to the critically acclaimed *a fistful of dubplates* (zoom records) which featured dj harvey and was championed by the likes of françois kevorkian, ashley beedle, dimitri from paris and david morales to name but a few. this time dub versions of four double yellow tracks from their recently released album *life in the slow lane*.

design principles ep. explores sparse atmospheres mixed with soft stabbing dub sounds that subtly evolve and morph throughout the track. a very nice original piece of techno that can be appreciated in a club or home environment. the harmonies speak to you throughout this emotive masterpiece.a definite timeless record, as the originality speaks for itself

dj sliink, springing from the jersey club scene, has built an impressive reputation for his contributions to north american dance music. so much so that vibe magazine included him on their list of 30 djs to watch. his angular, spare take on club music can be described as straight forward, as much as a punch in the face can be described as straight forward anyway

dmx krew debuts on abstract forms, showing us just what can be done with a collection of vintage synths, impeccable programming skills and a heavy dose of talent. >micro life< is a jam packed ep of eight tracks which venture on the quirky side of the electro genre. this modernist take on a classic style delivers a wonderful sense of melody, refreshing arrangements and innate funk. a master of his craft. limited to 300 copies.

the teng records imprint returns with the *sweet dreams* ep this october, by louis guilliaume. comprising three original cuts from the dutch producer. louis guilliaumes mpc inflected house and techno grooves have been found on reputable labels such as glasgow underground, home taping is killing music and biorhythm, and the rotterdam based producer can boast appearances at two leading lights in the nightclub game, namely, berlins berghain and glasgows sub club.

if there is one thing in this world that is certain, it is that things change. and in the life of one dance producer with a new release on sheffields shabby doll, there have been transitions aplenty. with a switch from garage to house, a move from doncaster to london, and a change of identity from ryan aitchison to mella dee, his spacious four- to-the-floor sound has emerged from a state of constant flux. and yet… the more things change, the more they stay the same. *things dont change* is the name of mella dees new shabby doll ep, and when you tune into the title tracks compulsive twitch, you can hear the echo of his south yorkshire antecedents coming through.

gator boots, pimped out gucci suits and a quarter tank of gas in a new e-class benz. sometimes musical rules are just meant to be broken. with no exceptions, here comes gator boots, a new imprint born in the true spirit of underground. no holds barred, vinyl only and extraordinarily limited we proudly present bootlegs for the sake of bootlegs. can you dig it? we knew you could!

egyptrixx gives a glimpse into his forthcoming second album on night slugs with the vinyl-only cut *water (reduced)*. the hi-definition crystalline world of his previous album *bible eyes* has sunken, submerged. *water* takes place in some vast molten expanse, a subterranean electrical storm expressed as acid-tech. this 12 inch features the reduced dub, stripped of melody to for full hypnotic effect. the full version can be heard on the forthcoming album, titled *a/b til infinity*. on the flip: helix keeps bootlegging our records. he cuts up the masters and edits them up like fruity loops lego, applying the same post-timbaland stutter-logic that was amplified so dramatically in 03-06 grime. here he puts his hand to egyptrixx blastbeats-heavy *adult*, also taken from the forthcoming *a/b til infinity* lp. the results are extremely punishing but compelling listening.

downstairs please, heaven can wait. our destination is an urban hades, an alluring underworld. when you are mono-named (like sano) your epithet sounds like a code word anyway. so let us get in.

ltd backstock . ivano tetelepta returns to duty on fof after his well received * true colours* lp with a veritable potpourri of tracks in collaboration with various cohorts. first up ivanos collaboration with steve siwalette twists and turns with a steppas beat whilst melodic licks build the track up to its anthemic break. * give me something so i can dance* w/alex jansen roughs things up with a low-slung dirty groove whist ben buiendijk injects an acidic flavour into his collaboration before ivano & bas amro delve deeper with the sweetly melancholic tones of * manolia*.

the man from marseille vernon dropping his second e.p for dabj here, building on the groove of his debut >chicken dance< but adding an extended palette of sound and taking things in a slightly tougher direction. >how to travel the universe (without a flying saucer)< kicks of with >ignition<, an eerie ghost train cut ripe for an lsd-fuelled danse macabre through the town after the witching hour. >one night in tanzania< rolls out into a rugged, clave-led jacker: a perfect mix between the deep and the tough that vernon can deftly muster, seemingly with ease. flip the white wax for a run of jagged, acidic noise on >how to build a pyramid<, a perfect soundtrack to getting >the acid life< tattooed on yer forehead tebori-style by a crippled ex-yakusa in a back-alley whorehouse...

the british producer luke solomon wanted to add his own remix of thankyou porvenir to the oblack collection. a remix that is gonna give more than one broken bone in the hip and pelvis. it is music strictly made to dance to, full of energy and showing the craziest side of house. a track where horns and whistles can be heard, even pixelated voices, with an insane 8beat path that gives to the song the exact amount of tasty flavour. no joke fellas! this is a kind of slam dunk piece for solomon

this is the start of our path in the darkness, in search of the brightest light. rectoversion its not just a label but a life concept based on the notion of dualism thats the reason why we have an original track for side with their remixes, a leitmotiv useful to show the complete face of each of them. so you can feel the black and the white of these two tracks by alpha code & future 16, with reworkings by tadeo and area fortyone.

its a fact: plector 005 strikes back with a full techno analogue ep. as a starter on the a side, noticed for his ep on m_rec ltd and his featured track on plector lp003, stanislav tolkachev delivers two linear, energetic , greasy techno as he used to do. no loops, no break, just heavy beatz to hit the dancefloor in a dramatic way. a perfect weapon to not miss your target. for the main course, we can find fran hartnett, well known for his it was written in vapour track and the great number of remixes he did on various labels. he stays faithfull to himself with this two trackers side. astonishing breaked techno at its best. ideally to start a big party! as we said, since plector become a reality: just techno, no compromise at all

one of the biggest hitters on the uk house/techno scene right now delivers a naughty but very nice under-the-counter duo of club friendly reworks of two iconic british bands.

return of headphoniq! the next edition in the legendary series. a clear understanding has a very 1990s vibe. next is dubrazils red vinyl that was originally an untitled track with only 223 pressed. the midnight in tokyo unreleased project from japan. can you feel the beat is a classic.

c.a.v.o.k. calls out our beloved oleg poliakov on his first release for us for 2013. its a good sign, that the skies are clear and we can carry forth on our musical mission unhindered by the weather. with an album looming on the horizon from our in-house weatherman, this ep sets us on a course across open plains towards that landmark, propelled by an infectious energy that marks a progression even for a producer as accomplished as oleg.

a few words by steffen bennemann: when i heard margot for the first time, i instantly fell in love with their synth-driven free- form kraut-techno. strong melodies, insanely well-shaped beats, sometimes driving, sometimes bravely bending the rules. after great releases on james holdens border community, ivan smagghes kill the dj and their own label we were more than happy to welcome them in our holger family. here they can show their more experimental side, far beyond common floor/listening conventions and full of synapse-tickling synth magic. plus a secret pop hit (trentaseitrenta), perfect for closing any exceptional club night.

yukazu, a band formed by lenuschka krueger and mike hermann, look to combine the charm of french chanson with gypsy balkan groove. the band was completed with the addition of rafaele castiglione who united the group like a kindred musical spirit. he reworked each track affectionately, telling his side of the story so you can look at it from a different angle.

the mysterious lord of italo hooks up with il bosco on the latest hot 4 tracker from red laser. a simple and dark bassline with haunting lasers creates the bubbling imagery of a journey through manchester at night. where are we heading? to the fukin disco mate. how we getting there? in il bosco s 10 year old ford focus with the fat system g. why is the underside all crumpled? cos dj emerald beached it in tib street car park. windows down on a summers night? no, theyre broken. kid machine rocks the quickest shit i ever heard him make with this italo-electro-disco smasher. the title track to a film score that doesnt exist maybe ? this sci-fi thriller gives bass line collectors their monies worth and the beats are seriously heavy, but my favourite thing about this recording is the glittering euphoric interludes that appear twice in the track and make the whole composition complete. his strongest stuff yet. yes yes yes starion returns with another cosmic italo disco bubbler. its the soundtrack to a film set thousands of years in the future about a pimpin robot called night flanger. he makes sure all the fembots undercarriages are maintained and well lubricated when hes on a night out drinking diesel and smoking aluminium too hot to handle. too cold to hold. dirty girl is a boogie electro funk jam from il bosco. a chopped up rare as fuck record. can you find out what it is? probably. if you do and you know how to contact the artist let us know... do not miss!

on the third release abstract animal returns to heavy peaktime techno. on the a side you can bear witness monomoods ten minute analog threesome with his machines. on the b-side the fachwerk mastermind mike dehnert transforms the acid - vault, taken from the shtum001, into a dark and hypnotic techno cellar. rumbling rhythms and sharp pads keep your mind awake, when monomoods *the siren* on b1 howls through your ears.

when walter merziger and arno kammermeier head to the studio to work on new material for their long time project booka shade, the result is a winning combination of underground sensation and club hit, as titles such as mandarine girl and body language have proved to great acclaim. its a balancing act that only the most successful electronic musicians can do so successfully over such a period of time. booka shades new single >love inc< is no exception. presaging the fifth studio album release from these berlin transplants,>love inc< is infused with pure club sound created by merging a refined sense of sonance with solid craftsmanship. the duo pays a contemporary homage to chicagos former king of house, lil louis, whose 1992 hit club lonely serves as the tracks sample

best known for his work on l.i.e.s and with steve summers as confused house, nik dawson aka bookworms drops an absolute banger on barcelona based label anomia. fans of the hazy textures of confused house here will be surely taken a back by the fact that the opening gambit on this ep, *mechanism* is utterly tonking. *photogenic* is another rushing weapon, while the closing track is a beautiful ambient piece. seriously killer ep, we can not recommend this enough!

support by juan atkins, brothers vibe, valnetino kanzyani, ray okpara, guy j, andre galuzzi, phil kieran, chris lattner, rampa, nekes, federico molinari, fimo, patrick bateman, mathias schaffhaeuser and many more! enough! music is back with its newest ep package made from three berlin based artists who bring their own unique sound and styles, a stong statement that these three rising talents are certainly ones to watch closely over this coming year. first we must speak about the two originals provided by george p., aptly named <start> and <stop>, each track carries the signature drive and syncopation typical in any george p. track. <start> is a hypnotic and smooth tech driver, pushing forward with intense percussion rhythms, haunting synth lines and intense pads in support, this has all the hallmarks of any classic detroit cut only with more panache. <stop> continues in the same vain with a raw and jacking tech mix, the intensity growing as the track evolves, a driving stab and tom bass establish a funkiness that becomes infectious and certainly a big dance floor number. the first remix comes from label boss danilo schneider who is <pause remix> of start brings on a solid deep groove perfect for the early hours, yet doesn t loose any of the intensity of the original, this is danilo at his very best and most definitely one killer deep ass shaker here!last but not least is the second remix is by edgar jack who is version of <stop> (aptly named <you know i don t want to>) manages to capture all the rawness and colour of the original as a funky, jacking mix with deep dubby basses and a nasty swing groove that will knock your hip out…yes, you ve been warned.enough! music delivers once again with a very strong and promising ep that will certainly please the dance floor and rumble those speakers from side to side, these three gents from berlin have delivered four powerful and unique cuts that you know you can just simply sink your teeth into.

limitierte und liebevoll aufgemachte deluxe-vinylausgabe des aktuellen sally shapiro albums als doppel-lp auf klarem vinyl inklusive textbeilage und cd im handbedruckten cover. sold out

it is with undoubted excitement that stroboscopic artefacts can present the new release from irish duo lakker as sa019. this comes hot on the heels of lakkers recent work for the label through the dark trappings of monad xiv.

frigio is very honored to release the biggest and most important spanish electronic project of all times esplendor geometrico. from the early 80s until today, theyve been delivering the most authentic, raw and powerful industrial electronics you can hear francotirador which means sniper is a track recorded back in 1989 and this record includes original plus 3 remixes by sneaker (who previously did a remix for twilight ritual), juanpablo (head of frigio records) and spanish producer vinz vincenzo

uk house/disco duo casino times are happy to announce the first in a brand new series of hand stamped, limited italo/disco edits curated or produced by the fun loving boys themselves. casino times have been releasing their own brand of catchy, neatly swung, dance floor ready disco and house on labels like wolf music and needwant. it is not often that an artist can be defined by such a distinctive sound whilst still maintaing a varied and extremely open minded approach to music production and djing. no two of their tracks are similar, yet somehow you will be sure you are listening to a casino times song before it reaches the chorus. their productions sit so comfortably on that precarious boundary that so many artists struggle to sit, while they are emotionally charged they are also extremely dance floor friendly and are as fun as they are provoking. the first in the series (casino edits 001) comes courtesy of the london based duo themselves and is testament to what the series intends to achieve… limited hand stamped copies.

klute returns with his 7th artist lp called *the draft*. we kick things off here with this 3 track taster featuring 3 different styles of tom withers: *turnaround* is d&b like only klute can do, *birdland* is swirling atmospheres set to a laid back beat and *give it all* is darkly sublime with twinges of 4ad and an immense vocal from new talent naomi pryor. the perfect sampler for the full length album, due to hit stores on 14th october.

with fans like amon tobin, skrillex and noisia (whove signed them to their division recordings label), youd expect neosignal to offer something different - and the german duo (aka drum & bass heroes phace & misanthrop) certainly dont disappoint. their debut album raum und zeit including the single planet online is out now! their influences range from can to kraftwerk and joy division to led zeppelin, and, while their music has elements of early krautrock, industrial and 80s ebm (electronic body music), its powered by 21st century, bass-driven production.

makoto returns to apollo with the primitive ep. as he builds his fast-paced style into a leaner, more aggressive manifestation of the soulful makoto sound, it quickly becomes clear that no one genre or signifier can fully describe this new collection of five tracks, from the rampant tribal ideology of *primitive* through the freestyle explorations of *ritual*.

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

it is jam citys turn to deliver a batch of sweaty, streamlined dancefloor weapons on the 6th installment of the club constructions series. the minimalism and intensity of jersey club music remains a huge influence on the whole night slugs camp, and while jerseys impact can be felt across the cc series, jam city channels those devastating ghostly kick drums like none other. continuing on from where he left off with club favourites *the courts* the *how we relate to the body*, jam drops 5 lean and intense drum workouts build from scrap metal and primed for warehouse use. they move between thudding midrange persistence and just-sub-and-air minimalism, framed by jammed drum machine rhythms and splashes of re-sampled colour. jam decorates these sturdy and well-deployed undercarriages with silvery detail, percussion fragments, broken talkboxes, whispered vox and simple, beautiful chords.

last known trajectory proudly presents inkamera, the solo project of the multi-talented victoria lukas, who of course you may well be familiar with from her previous work as zerkalo, performing alongside the legendary gerald donald. here, the first inkamera release demonstrates victoria’s clear understanding of what constitutes a solid and balanced musical project – ‘superpartners (photon photino) ‘ and ‘&#1089,,,&#1084,,,&#1077,,,&#1088,,,&#1090,,,&#1100,,, &#1085,,,&#1077,,, &#1089,,,&#1091,,,&#1097,,,&#1077,,,&#1089,,,&#1090,,,&#1074,,,&#1091,,,&#1077,,,&#1090,,, (death doesn’t exist) ‘ are both pacey, electro drivers with a distinct european feel, the former being quite upbeat, while the latter rendering a slightly darker more sinister air. ‘i can speak’ provides a volatile contrast with its crazy, freestyle electro beats and rhythms, whilst both ‘human terms’ and ‘potentia’ showcase victoria’s quite distinctive, totally unmistakable, seductively hypnotic vocal to a backdrop of gorgeous electronics. a superb solo debut from lukas – let us hope that there are many more to follow.